CINEMATOGRAPHER AND TEAM FIMS
Assistant Cameraman Camera Operator cinematographer Film Loader FILMMAKING Gaffer Steadicam OperatorCinematographer Films |
GAFFER Films |
camera operator Films |
ASSISTANT CAMERAMAN Films |
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Cinematographer Films |
GAFFER Films |
camera operator Films |
ASSISTANT CAMERAMAN Films |
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DIRECTOR Films
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ASSOCIATE DIRECTOR Films
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Associate Director works to make the Director more efficient. The Associate Director plans a shooting schedule by breaking the script into sections that can be filmed in a single day and in the most efficient order. During filming the A.D manages the set , helps line up shots for the director calls , for quite on set and coordinates the extras. The role of A.D on a film includes tracking daily shoot progress, scheduling all shots, arranges logistics, Preparing daily call sheets, checking cast and crew members and maintaining the order on set. They also having responsibilities of taking care of the health and safety of crew. He handles logistics of running the set during production. Films
1st A.D is liaison between the production manager and the director.
2nd A.D usually works with the cast and crew and handle the paper work including call sheets , actors, time sheets and production report, This person also helps the Associate Director to place extras and control crowd.
All depends upon the movie budget to hire more A.D for production to work smoothly.Films
CONTINUTY PERSON Films
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The continuity person tries to prevent embarrassing gaffer in the final film, such as actor wearing a hat that my disappear in one shot and reappears in another shot. The continuity person logs how many times a scene was shot, how long shot was lasted, Which actors were in the scene , where they were standing and other all details abbot set and cast, like disappearing hat. Films
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DEPARTMENT WHO INVOLVED IN PRE PRODUCTION FILMS
DIRECTOR Films
Director Films |
Director is the primarily responsible for the story telling, Creative decision and acting of the FILMS.
ASSISTANT DIRECTOR (AD) Films
Assistant Director Films |
Manages the shooting schedule and logistics of the production, among other tasks there are several types of AD each with having different responsibilities. FILMS
LINE PRODUCER/ SUPERVISING PRODUCER Films
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Manages the production budget and production schedule. They also report behalf of the production office to studio executive or finances of the movie. Executive producer finds and manages film locations, nearly all pictures features segment. That are shot in the controllable environment of studio sound stage while outdoor sequence call for filming on location. FILMS
PRODUCTION DESIGNER Films
Production Designer Films |
The one who creates the visuals conception of the film, working with art director, who manage the art department, which makes production sets. FILMS
COSTUME DESIGNER Films
Costume Designer Films |
Creates the clothing for the character in the film working closely with the actor's as well as the other department. FILMS
MAKE UP & HAIR DESIGNER Films
Makeup Hair Designer Films |
Works closely with the costume designer in order to create a certain look for a character.
CASTING DIRECTOR Films
Casting Director Films |
Finds actors to fill the parts in the script . This normally required that actors audition. FILMS
CHOREOGRAPHER Films
Choreographer Films |
Creates and co-ordinate with the department and dance typically for musicals, some films also credit a fight choreographer.
DIRECTOR OF PHOTOGRAPHY (DOP) Films
DOP Films |
The head of the photography of the entire film or project, Supervises all cinematographers and camera operators.
PRODUCTION SOUND MIXER Films
Production Sound Mixer Films |
The head of the sound department during the production stage of filmmaking. Who supervises all sound like on set recording or dubbing. They record and mix the audio on set dialogue , presence and sound effects in mono and ambience in stereo. They work with the boom operator, Director , DA(Director of Autography) , DP(Director of Photography) and first AD(Assistant Director).
COMPOSER Films
Composer Films |
Creates new music for the film. They also involve in pre production. FILMS
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PRODUCTION MEMBERS FILMS
The group of people hired by production company is call production crew members. The purpose of crew is producing movie or motion picture. They also having ranking while shooting the movie. They become part of project when setting up, add or remove maintenance of music and theatre production equipment's for stage act. They take care of equipment between show and many small things.
Production crew members perform one or more functions on a production line just like assembly and fabrication of products and parts. Transporting the materials or equipment's one place to another place and also cleaning the production area. Films
They work while whole shooting after crew call shoot will start. After work done of crew members they notify their main member and shooting starts.
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LINE PRODUCER Films
The line producer supervises the movies budget. This includes unique expenses, like a actors salary as well as daily casts like equipment rentals. The production manager reports his or her expenses and needs to the line producer.
Rekha was one of the first people hired by the producers and executive producers to produce the film. A key member of a line producer production team for Motion Picture. Alternatively, or in addition, they can manage the day for the physical aspects of filmmaking, playing the same role as the unit production manager. Line producers usually do not work as part of a creative team for a film. Because line producers work on location, they do not work on more than one film at a time (unlike other producer roles). A line producer can also place key members of the staff, make deals with vendors and be considered the head of production. Line manufacturers are rarely involved in project preparation, but often play a key role in production costs to give investors the confidence to invest in the project. As soon as financial assistance is provided, the line producer oversees the budget of the film and the daily planning and production run. Line producers usually work on a freelance basis. Although this role is very beneficial financially they should expect to work longer hours. Career progress depends on their experience and prestige. Where a line producer has creative input to a product, he is often credited as a co-producer.
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PRODUCTION MANAGER
The production manager (P.M) makes business deals with the crew and arrangements for the production technical needs, This include everything from obtaining the right technical equipment to renting accommodation for actors and crew. Films
Production managers handle business, financial and employment issues in Films and television productions. As a production manager, you are responsible for how the production budget is spent and make sure everything runs smoothly during filming. Before production begins, your work will include: Meet with producers and other senior production staff to examine script or program ideas Shooting schedule and cost estimate Hiring staff and contractors and negotiating salary rates Costs negotiations and approving booking of resources, equipment and suppliers To monitor site booking and establish necessary permits and risk assessment. To become a production manager, you need enough experience in TV or film, a deep understanding of the production process and a network of contacts in the industry. Experience and track record are more important than formal qualifications, however, it can be helpful to take a course that includes practical skills, the workplace and the opportunity to form contacts. You need a good understanding of budget management, so skills and aptitude in accounting are useful. Films To become a production manager you can do your work through the industry in a variety of ways. For example you can start as a runner or assistant or secretary in a production office and then progress as a production coordinator and then an assistant production manager. You can also start as a trainee production accountant. Alternatively, you can progress from runner to third assistant director and then second and first assistant director, or assistant TV floor manager, then floor manager or location manager. Films
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PRE-PRODUCTION CREW MEMBERS FILMS
STORY EDITOR Films
Story Editor Films |
STORY WRITER Films
Story Writer Films |
DIALOGUE COUCH Films
Dialogue Couch Films |
ART DIRECTOR Films
Art Director Films |
COSTUME DESIGNER Films
Costume Designer Films |
The costume designer creates all the costumer worn by the cast on a production. This person contributes to the overall look of the film, as well as the style and interpretation of the films character.Films
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PRE-PRODUCTION FILMS
The production company is formed and a production office established. Idea to concept to story (keeping in mind about target audience) screenplay and dialogue.Films
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Lyrics , music composed and sound being recorded. The film is pre-visualized by the Director. Story boarding. A producer budget is down up to plan expenditures for the film, for major production, insurance is procced to protect against accidents.Films
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Location hunting.
We all had an unexpectedly devastating shoot, where the SD card was full or the battery died at exactly the wrong time, and we vowed never to happen again. But it's a kind of readiness that you do not think, and it requires as SD card and battery. We are talking about scouting locations, an important pre-production step that will help you face any challenge while shooting video on the field. Here are several tips to help you rule out potential video shooting locations. Choose a site that fits the setting of your story. This is the first rule of location scouting. As you set out to assess places, you will encounter countless possibilities: natural areas, historic sites, distinctive buildings, urban landscapes and waterfront settings. Films Keep in mind that positions may change. It is wise to check your location during the week and on the day you are shooting: these factors can make surprisingly large changes to the suitability of a location.
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Casting.
Film casting is the process of obtaining a continuous PTFE film after sintering by scattering it on a carrier web. The cast is used after the product is removed or in conjunction with the web. Typical applications are wire insulation with a mixture of PTFE and Captain ® polyamide carriers, mainly for aerospace use. Stripped PTFE film can be laminated to various surfaces such as glass cloth. This process can produce films from thermoplastic fluoropolymer. Films The casting process is described in US Patent 2,852,811.28,29. In this process the dispersing layer of PTFE is coated on a metal or polyamide carrier, after which the coating is dried and sintered. The low dispersion thickness of PTFE can be applied in a range. Most coating passes are done until the desired coating is achieved. The image is finally removed from the carrier and removed. The nature of the carrier belt is very important. Highly polished corrosion resistant metals and polyamide 30 belts are used in casting processes. Films
Film producer hires the film crew.
Set construction.
DOP (Director of Photography), Production, Supervisor, Production Designer, Sound designer, Music composer, Choreographer, Stunt Director etc. Films
Scheduling.
DEVELOPMENT (Filmmaking) Films
The most first phase of movie making is called development. Development is media industry, television, screenplay, computer programs, group meetings etc. Then other phase in which the ideas for the film are created, then rights to books or novels are bought etc. And screenplay is written.
The growing reliance on feature-film production requires an increased commitment to finance and human resources, displacing the dominance of short films. Effective allocation and utilization of these resources requires planning, resulting in greater focus on the development and pre-operation of a pre-existing American studio system. In the studio era, development and planning were handled by company executives and crafted with two factors: first, the number of films needed to meet the theatrical exhibition requirements and nature, according to estimates made in the form of a distribution head; Second, by the need to make appropriate use of inherent resources such as specific employees, sets and costumes. Top studio executives set the total budget for the year and based on this budget allocated costs for individual motion-picture projects. Films
Once the projects were identified in terms of budget and style, the work of planning individual images began. Projects usually originated with the script division, which was established by 1911 by all major manufacturers. Typically, potential scripts are chosen by readers from current sources, such as novels, plays, radio programs, or existing films. For example, The Wizard of Oz (1939) already exists in all these forms, until it is produced. Because producers rarely bought original screenplays from independent screenwriters for fear of copyright infringement, other films began to come to life as original screenplays in the studio. When certain projects are chosen on their own merits, the most proven success and genres or sequels based on available resources. Examples include Warner Bros.'s 1933 (1933) Musical Gold Digger and Universal Horror franchise entry, Frankenstein Meet the Wolf Man (1943). Some scripts have been commissioned as vehicles for contract stars, a series of original scripts written for Road to Morocco (1942), Bob Hope and Bing Crosby.
Selected scripts are assigned to producers who oversee the development and production process, after being recommended by the script department for potential structures. The process usually begins with a scene that describes the storyline in prose form. It provides more details about the individual scenes after treatment. The screenplay containing the dialogue is further prepared. Finally, the shooting script divided the action into individual shots and provided guidance for staging and camera positioning. Films
The raw material or footages and more other elements for film purpose are recorded during Films shoot.
It involves developing the idea into concept or if you plant to make a film based on any novel, person, event then it involves taking and settling call copyright issues.
Sometime it deals with finance.
In this phase the projects producer select the story which is came from book, play, or Films, true event, original idea etc. After finalized a theme message, the producer works with writer and prepare for synopsis. Then they produce step outline. and breaks the story into paragraph, scenes that focus on dramatic structure. Then the create 30-35 pages description of story. Involves character, moods. This involves little bit dialogue and some direction. Then again producer do work on scriptment when synopsis is produced.
Then its goes to screenwriter for screenplay writing. He take several months to improve dramatization, clarity, structure, dialogue, character, and overall script and style. When producer ask for screenplay which investors, film sets, studios, other interested parties assess through a process called script coverage. A film distributor may be contacted as a early stages for assess the market and potential financial success.
The producer and screenwriter prepare the whole film pitch and treatment , then present to financiers. If they happy with it they provide green signal. The parties negotiate the deal and signs the contract. When all parties or investors met and deal has been set then Films procced for pre production phase.
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Basic Information About Filmmaking FILMS
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