EDITORS RESPONSIBILITIES AND SKILLS IN FILMS
EDITOR (Films)
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| Editor (Films) |
Film and video editor is a highly skilled film industry employee who edits movies . The success or ultimate failure of the product is in their hands. The final product should be a coherent project that has the story and personality of the cast. Film editing is often regarded as an unread and unread art by many in the industry, with some dubbing film editing as 'silent art'. The history of film editing is a long journey back to the early days of Hollywood. As technology advances, job descriptions for film editors have expanded, including in the field of video editors. There are a lot of works of film and video editors. An employee can study the script himself to work with storytellers, producers and film crew about the script and the director's goals. During filming, the film editor examines the tapes for editing purposes, including errors, lengthy sections, or parts that do not match the story or go along with the story. He works with others to connect voice, voice and music to match the script and put them in the appropriate place. Film and video editors complete these tasks with digital devices and computer software to create high-quality sound effects. Camera angles and shots are marked and the best reels are added. Reels are often reviewed before the editor arrives with the final version called the director cut. In the process, he works with other staff, including sound and lighting technicians, costume designers and makeup artists, actors, directors and other editors. Filming is really a team effort. The job of film and video editor has changed over the years. When the movies are black and white, editing is very easy. With computers and advanced technology, the job of a film and video editor has become more complicated, using computer graphics to edit movies and supply the elements needed to create the final product.
EDITORS RESPONSIBILITIES
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| Editors Responsibilities |
Edit raw footage material to create movie and video. Make video and audio edits based on story sequence and sequel. Use creativity techniques in graphics design. Work with producers and directors during production. Create voiceover text and other comments for the video. Effectively cut video footage to make the scenes flow smoothly and logically. Do all the editing work, including music insertion, sound effects, storyboarding and more. Create a logical storyboard by combining the most effective scenes. Review all revised tapes to identify any issues and recommend necessary changes Develop better skills and expertise in dealing with computer editing equipment, video converting equipment, etc. Discuss video layouts and editing styles with directors and producers. Collaborate with others on audio and visual creations to create a continuous and complete story. Organize and assemble video sections to provide a continuous and continuous story of specified length. Develop post-production models for films. Conduct video screenings to get directors and producers their feedback. Edit the film to suit the director's specifications. Watch the scene and decide what would happen if the room floor was cut. Resize scene sequences. Handle and change raw camera footage, dialogs, sound effects, graphics and special effects. Came Decide which camera angle to use. Music Add music, sound or optical effects. Make Work with Workprint to manage the scenes and transitions that make up a movie. Create a list of editing decisions based on the margin numbers. Television Edit movie for advertisements, station identification and public service messages on television movies and tapes. Check movies for damage damage. Damaged or old tape is damaged. Feature Work on movies, television shows, music videos, corporate training videos or commercials. Log Re-type and tweak the content to ensure logical sequencing and film / video running smoothly. Input truncated part and sound. Steps Determine the exact cutting for the final steps. End Work with the director to achieve the desired end result.
EDITORS SKILLS
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| Editors Skills |
Films industry and film production knowledge Willingness to modify equipment and change that technology Camera Good photographic eye for camera angles and special effects, as well as knowledge of audio effects Ability to work alone on extensive and sometimes laborious tasks Problem-solving skills such as creating film sequences or working with available footage Strong interpersonal skills to work with direct directors, cinematographers, sound editors, special effects editors and music producers Delay product delay, unexpected unforeseen problems and flexibility to deal with a variety of personalities High Ability to stay calm and confident in high stress or crisis situations Rush Rush likes to work long hours at work Quality Commitment to high quality work and continue to improve their skills and knowledge Artic Personal ethics and commitment to follow the director's vision rather than changing the content to make a personal artistic statement Ched and established feature film editors learn their skills according to the demands of heavily complex films with visual effects similar to the Matrix trio. The trilogy's film editor, Jack Steinberg, won an Oscar for "The Matrix" (1999) and edited three films in just four years, both "The Matrix Matrix" and "The Matrix Revolution" released in 2003. He found the ability to sort footage shots for two different images ("Reloaded" and "Revolution") at the same time and place - and edited both images at once. To do this, he worked with a staff of seven, many focusing primarily on special effects. Steinberg had to work on 440 visual effects shots in "The Matrix", 1,100 in "Reloaded" and 750 in "Resolution". Each time the editors got a visual effect, they talked to an author in the Editors Guild, who had to make some changes to the image, from changing some frames to rearranging the whole sequence. The biggest challenge in modifying the trilogy is adapting to the ever-changing workflow.